The CountMetallica's M72 Formula: More Sellouts, Less Burnout
Metallica, from left, Robert Trujillo, Lars Ulrich, James Hetfield and Kirk Hammett (Tim Saccenti)
Metallica may be squeezing into the minuscule, 250-capacity Stephen Talkhouse in the Hamptons on Thursday to launch its Maximum Metallica station on SiriusXM, but the hard-rock titans continue to rack up eye-popping box-office numbers on the world’s biggest stages.
Per data reviewed by HITS, the band—vocalist-guitarist James Hetfield, drummer Lars Ulrich, guitarist Kirk Hammett and bassist Robert Trujillo—has grossed $476m on 64 shows in front of 3.9m people since opening its current, all-stadium M72 Tour, on April 27, 2023, in Amsterdam—or $8.4m per gig. Counting receipts for 16 shows yet to be played in Europe next summer, the total balloons to just over $600m from an audience of 4.9m fans.
Q Prime's Peter Mensch and Cliff Burnstein
“They are absolutely at the highest plateau in terms of their worldwide popularity,” says Q Prime’s Cliff Burnstein, who, with partner Peter Mensch, has managed the band since 1984. “Back then, the idea of bands working into their 60s was not something we took seriously; we didn't think there would be a business where you could have this kind of popularity at this age. It's beyond what we ever could have imagined.”
All but six shows so far have been part of what Metallica calls No-Repeat Weekends at football stadiums, where the band sets up on the 50-yard line to allow 360-degree views of the stage. Each night features a completely different set list and a roster of special guests that has included Pantera, Limp Bizkit, Gojira, Architects and Five Finger Death Punch.
What’s more, about 750 lucky fans are granted entry to the Snake Pit in front of the stage for maximum head-banging. “You can high-five those guys,” Burnstein marvels. “It's about as intimate as you could make a stadium show. Playing in the round means we don’t have to limit demand as much as we would with other stage configurations, and you can have a lower ticket price. We average about $120 per ticket. I don't think you'll find any other recent or current major tours priced like that.”
Among the highlights: the two-day attendance record at Denver’s Empower Field (151k) and biggest concert attendance at Houston’s NRG Stadium (75k); the first-ever concert at Lane Stadium on the Virginia Tech campus in Blacksburg, Virginia, which was so loud that it actually moved the needle on the seismograph; a single-show attendance record at the JMA Wireless Dome in Syracuse, New York; and the one-day attendance mark at SoFi Stadium (72k; broken only by Taylor Swift on the Eras Tour).
Left, Ulrich and Hetfield shout at the devil; right, Hammett melts faces
For the 2026 European gigs that went on sale in May, the band has already transacted 90k tickets in Berlin, 83k tickets in Athens, 60k in Bucharest, 80k in Czorzow, Poland, 144k over two nights in London and 140k for two nights in Budapest. “That shows you the global reach of this band,” Burnstein says.
Although Metallica has been booked by IAG’s Dennis Arfa since the mid-1980s, Burnstein credits longtime band consultant Tony DiCioccio with “taking on a lot of the responsibilities of an agent” when it comes to routing and dealmaking, explaining, “Dennis is the best, but Tony is the guy ultimately responsible when it comes to our touring."
Team Metallica limits yearly roadwork to a manageable number of shows for its four early 60-something members, all of who have families. Having famously worked out their deep-seated internal issues with the help of a therapist, captured in the 2003 documentary Some Kind of Monster, the quartet hasn’t played more than 50 times in a calendar year since 2018.
“It’s grueling to be Metallica onstage," says Burnstein. “They're getting older, and there are aches and pains. For their physical and mental health, we don't want to overdo it. Our runs are relatively short so we fully kick in very quickly and it doesn't wear out. At the end of the 12th show, on the sixth weekend, we're still going strong, and we're still giving the audience the best experience.”