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MAYBE, JUST MAYBE:
MOBILE PHONES,
IMMOBILE HUMANS
Lenny Beer needs to cut down on his screen time. (9/29a)
RAINMAKERS: TOWERING OVER THE COMPETITION
A big tease for the upcoming edition. (9/29a)
THE DEATH OF PRINT JOURNALISM: GRAMMY PREVIEW EDITION
Gimme an "H." Gimme another "H." (9/29a)
NEAR TRUTHS: KANYE
AND HIS PHONE
A quintessential American story (9/29a)
21, METRO ANNOUNCE SAVAGE MODE II
Dynamic hip-hop duo forges a franchise. (9/29a)
GRAMMY TALK
We're full of it.
AFRICAN POP
Getting global with it.
IT'S PRETTY SMOKY
And this time it's not from our bong.
WHAT COMES AFTER TIKTOK?
Shorter videos! Weirder trends!
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POST TOASTED
THE WAY I DO

By Karen Glauber

This was the first year I watched the Grammy Awards with my eight-year-old son. His takeaway was (a) I let him stay up past his bedtime (yay), and (b) Metallica really didn’t need Lady Gaga and backup dancers (eesh!) to prove they’re the greatest metal band of all time.  Julian might have had some coaxing on “(b),” but only a minimal amount. My favorite performance was Beyoncé’s medley of “Love Drought” and “Sandcastles,” with its gorgeous, dream-like choreography, reminiscent of Pina Bausch’s work. Also, the sight of a pregnant woman, surrounded by other women, tends to make many men uncomfortable, perhaps because their status in the process, post-conception, is minimal to nonexistent. I may not have felt at the height of my “power” during my pregnancy, but I can’t hold a candle to Queen Bey, who ruled supreme on Grammy night…

...Read the rest here.


 
 
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