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MAYBE, JUST MAYBE:
MOBILE PHONES,
IMMOBILE HUMANS
Lenny Beer needs to cut down on his screen time. (9/29a)
RAINMAKERS: TOWERING OVER THE COMPETITION
A big tease for the upcoming edition. (9/29a)
THE DEATH OF PRINT JOURNALISM: GRAMMY PREVIEW EDITION
Gimme an "H." Gimme another "H." (9/29a)
NEAR TRUTHS: KANYE
AND HIS PHONE
A quintessential American story (9/29a)
21, METRO ANNOUNCE SAVAGE MODE II
Dynamic hip-hop duo forges a franchise. (9/29a)
GRAMMY TALK
We're full of it.
AFRICAN POP
Getting global with it.
IT'S PRETTY SMOKY
And this time it's not from our bong.
WHAT COMES AFTER TIKTOK?
Shorter videos! Weirder trends!
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POST TOASTED
THE COSLOY WAY OF KNOWLEDGE
(A KG25 Q&A)

He was a punk before you were a punk. Massachusetts native Gerard Cosloy got into the Boston hardcore scene early, putting together shows and starting the mimeographed fanzine Conflict before taking a grown-up job running indie label Homestead and moonlighting as a DJ at WFMU, while also playing in the Air Traffic Controllers. Cosloy’s profile rose considerably after he co-founded Matador Records at the dawn of the ’90s, as he went on to become one of the quintessential characters of the alternative era, working with the likes of Pavement, Guided by Voices and Liz Phair—he also played with G.G. Allin for a time, so it’s obvious that he has a strong stomach. Whip-smart and highly opinionated, Cosloy doesn’t suffer fools gladly, so it’s shocking to find him slumming in this sorry rag.

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