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TOP 20: JUST TRUST US
A second sonic Boom (4/17a)
ON THE COVER:
AARON BAY-SCHUCK
AND TOM CORSON
Bunny's hoppin' again. (4/17a)
NEAR TRUTHS:
PRIMARY NUMBERS
Hats off to Larry (4/17a)
THIS HITS PHOTO GALLERY IS WANDERING IN THE DESERT
Photographic proof of the weaselfest (4/15a)
POETS CORNER: TAY, SPOTIFY TEAM UP FOR L.A. HAPPENING
Truth is beauty (4/17a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Music City
A LITTLE BIT COUNTRY,
A LITTLE BIT WHAT THE HELL
11/7/19

We're hearing there's real heat surrounding Orville Peck, with the Big Three in the pool trying to sign the avant-garde country act.

Known for his moody, melodramatic and lo-fi spin on country music—as well as his fringed, black-leather bondage mask, which he regularly pairs with a cowboy hat—Peck is certainly paving a unique lane for himself. Try to imagine a sound that melts together elements of Merle Haggard, Roy Orbison, Morrissey and Elvis Presley.

As artists like Kacey Musgraves and Lil Nas X use their platforms to push the boundaries on genre, the landscape expands and is making room for people like Peck, an openly gay appreciator of all things country.

Peck, who's repped by attorney Jess Rosen, WME on the live side and Maggie Vail and Taylor Brode for management, dropped his debut album, Pony, this summer. His biggest song on Spotify right now has about 2.2m streams. He recently appeared on the cover of British GQ. And he's set to play Stagecoach next year.