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WMG Q2 REVENUE UP
NEARLY 7% TO $1.49B
Call it Kyncl culture. (5/10a)
NEAR TRUTHS: INCOMPARABLE
Taylor world is an ecosystem. (5/9a)
HITS LIST: AROUND
THE MAYPOLE
The biz springs into motion. (5/10a)
BEEF BRINGS LAMAR BACK TO SPOTLIGHT
No longer keeping his diss-tance. (5/10a)
TOP 50: TAY'S THREE-PEAT, DUA'S OPTIMISM AND MORE
The most popular POETS in history (5/10a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
THE B-SIDE
almost monday (Hollywood)
5/12/22

WHAT IT IS: Hailing from San Diego, indie-pop trio almost monday bottle California vibes in their funky basslines, ecstatic choruses and dance-inducing grooves. Consisting of Dawson Daugherty, Cole Clisby and Luke Fabry, the group dropped their 2021 debut EP, don’t say you’re ordinary, which yielded a Top 20 Alt radio hit with “broken people,” while 2021’s til the end of time EP earned them a spot on Alternative Press’ “40 New Artists You Need to Hear.” Having made their festival debut at Lollapalooza, followed by Summerfest, BottleRock and Firefly, almost monday kicked off 2022 with Innings Festival and joined Joywave on tour. With the release of their new single, “sunburn,” almost monday only accelerate their momentum to emerge as the consummate purveyors of future-facing California pop.
SINGLE: “sunburn”
LIVE: Performing upcoming dates with Ultra Q, Governor’s Ball, WKQX PIQNIQ, Wonderbus Music Festival, Wonderfront Festival; college dates at Montana State University and University of Minnesota; international touring dates in May with The Driver Era in Mexico, Santiago, Sao Paulo and two sold-out shows in Buenos Aires
INTERNET: 10m+ TikTok view on “sunburn” teasers; nearly 650k monthly Spotify listeners
PRESS: Alternative Press, Consequence of Sound, OTW, Flaunt, MAGNET, Forbes, People, GQ Australia, more
BOOKING: Marty Diamond/Wasserman
PUBLISHING: Disney Music Pub.
MANAGEMENT: Andy Mendelsohn/Full Stop