Apple’s Global Senior Director of Music Publishing Elena Segal will receive an Ivors Academy Honor in recognition of her contributions to the U.K. music industry.
The Honor celebrates individuals that champion songwriters and composers while creating positive change within the music industry.
Calling Segal “one of the most accomplished and respected music executives in the U.K.,” Ivors Academy Chair Tom Gray said, “throughout her career, Elena has consistently championed the value of songwriters and music publishing. Notably, she has been at the forefront of global music licensing as technology transformed the industry.”
Segal will receive the award at The Ivors ceremony in London on 5/23.
In her current role as Apple’s Global Senior Director of Music Publishing, Segal is responsible for all aspects of Apple’s relationships, whether commercial, strategic, operational or creative, with songwriters, music publishers and other licensors of rights in compositions.
In 2006, she joined iTunes and was directly involved in the store’s expansion across the world. More recently, Segal oversaw the licensing of all music publishing rights ex-U.S. for the launch of Apple Music in more than 100 countries. She also played a key role in the Apple Music Festival that ran for a decade in London.
Segal began her career in music in 2001 as an associate at Mitchell Silberberg & Knupp LLP.
The U.K. Government has been urged to introduce measures to improve streaming royalty rates and better remunerate creators for private copying. The Culture, Media and Sport Committee spells it out in a new report from.
Creator Remuneration makes a host of recommendations to achieve “fair remuneration” and improve working conditions across the creative industries.
CMS proposes that the U.K. introduce a payment scheme for private copying (where individuals use digital devices to download, store, copy and share content for private use). The lack of it, and existence of such provisions in other countries, means that payments from abroad are under threat due to a lack of reciprocity, argues the report.
The CMS is also asking for a “package of reforms” relating to royalties from music streaming following on from its Economics of Streaming report that demanded a ‘total reset” of the market. Measures to address the “pitiful returns from streaming” that songwriters and publishing rightsholders, in particular, continue to receive are part of this.
Other recommendations span the protection of creators’ rights when works are being used by AI systems and the appointment of a dedicated person to advocate in the interests of freelance workers.
Umbrella creator body The Council of Music Makers welcomed the report, while criticizing the Government for lack of action three years after the publication of the Economics of Streaming report. “None of the issues around music-maker remuneration have been discussed, let alone addressed,” they say.
“This report provides a good summary of the issues and some of the proposed solutions, with MPs stating that they ‘expect to see tangible steps to improve musicians’ remuneration and performer rights in the next 12 months.’ For this to happen we need stakeholders from across the music industry to stop denying reality and to, instead, come to the table with solutions, whether that’s the copyright reforms proposed by MPs or a negotiated agreement.”
Label trade body the BPI is naturally less enthusiastic. Org CEO Dr Jo Twist welcomed the concerns around generative AI but said the report “fails to recognize that, with the support of their labels, more U.K. artists are succeeding in the streaming economy than ever before and that the real challenge facing all of us is how we can enable continued growth so even more creators stand to benefit.”
London-based label and publisher Bella Figura Music, led by Alexi Cory-Smith, has closed a significant equity funding round to expand its portfolio of music catalogs.
Private equity firm Freshstream (a previous investor of BFM) led the round, with co-investment secured from Canadian pension fund OPTrust, a strategic family office and a Dutch private equity investor.
Cory-Smith, who founded BFM in 2022 alongside Neelesh Prabhu following a successful tenure leading BMG U.K., said: “We have achieved a lot in just over two years but there is so much more we have planned. We aim to continue building and enhancing our catalog of beautiful music while generating significant value for creators and rights owners.
“Bella Figura is built for the digital music age, unburdened by legacy systems with a strategy that truly reflects how we all access and consume music in today’s world.”
In the last six months, BFM has acquired the music catalogs of Jeff Silverman (Aloe Blacc, Adele, Lee Fields, Truth & Soul) and Adrian Wright (The Human League).
They build upon the company’s existing collection, which include David Gray’s record label IHT, R3HAB’s pre-2022 recordings catalog, and Guy Chambers’ publish catalogue, which includes Robbie Williams hits such as “Angels,” “Feel” and “Let Me Entertain You.”
The Libertines are heading for their first U.K. Official Albums #1 in 20 years as seven other new releases occupy slots in the midweek Top 10. Over on singles, Benson Boone, Beyoncé and Hozier are battling for the top spot.
All Quiet on the Eastern Esplanade (EMI), The Libertines’ fourth set, could become their first #1 album since 2004.
The debut from indie rock band The K’s, I Wonder if the World Knows? (LAB), could hit #2 on Friday; Conan Gray’s Found Heaven (Island) is also new at #3. Feeder could score an 11th Top 10 album as Black / Red (Big Teeth Music) sits at #4. The Black Keys’ Ohio Players (Nonesuch Records) is #6.
J. Cole’s Might Delete Later (Interscope) is #7 while Khruangbin’s A LA SALA (Dead Oceans) starts at #8 and Vampire Weekend’s Only God Was Above Us (Columbia) is #9.
On the U.K.’s Official Singles midweeks, Boone’s “Beautiful Things” (Warner Records) is set to return to #1 though “TEXAS HOLD ‘EM” (Columbia/Parkwood) by Beyoncé and “Too Sweet” (Island) by Hozier are both less than 1k chart sales behind, at #2 and #3 respectively.
Artemas’ “i like they way you kiss me” (Parlophone) is up one to #5, while “Austin” (Warner Records) by Dasha is set to rise seven to #8. “Alibi” (Atlantic) by Ella Henderson and Rudimental is up to #9 from #14 thanks to a new remix featuring Natasha Bedingfield.
Beyoncé is the first Black artist to take a country album to #1 in the U.K. and has the first country Official Chart double with “TEXAS HOLD ‘EM” topping singles.
COWBOY CARTER (Columbia/Parkwood) topped the U.K.’s Official Albums Chart on 40k sales this week. Over on singles, “TEXAS HOLD ‘EM” logs a fifth non-consecutive week at the top, tallying 5.5m streams over the last seven days. It’s one of three tracks from the album in today’s Top 10: “Jolene” follows at #8 and “II Most Wanted” with Miley Cyrus is #9.
Elsewhere on albums, GUTS (Geffen) by Olivia Rodrigo lifts one to #2 following the release of its GUTS (spilled) edition.
Oxford rock band Ride are #8 with their seventh record, Interplay (Wichita Recordings). Sum 41’s final set, Heaven :x: Hell (Rise Records), is their highest-charting album in eight years, landing at #26.
On the U.K.’s Official Singles Chart, “Too Sweet” (Island) by Hozier jumps four to a new peak at #4.
DJ Artemas has his first U.K. Top 10 single with “i like the way you kiss me” (Parlophone) rising seven to #6. Irish DJ duo NewEra rise into the Top 20 with “Birds in the Sky” (Warner Records) at #20.
At the end of Q1, Noah Kahan has the bestselling single and album in the U.K. It’s the cherry on the cake for UMG, which counts nine out of the top 10 albums YTD.
“Stick Season” (Republic) is #1 on the singles Q1 Top 10 with over 850k U.K. sales in 2024 alone. It’s the most-streamed song of the year so far, with 99m streams since the beginning of January. Since its release, the track, which spent seven weeks at #1, has tallied over 1.4m chart units in total (it first charted at #69 in the U.K. in October last year).
Stick Season, Kahan’s third album tops the Q1 U.K. Top 10 with 123k 2024 sales. It’s the first of an impressive nine entries for UMG, which span releases from The Weeknd, Taylor Swift, Olivia Rodrigo, Eminem, Elton John, ABBA and Ariana Grande.
UMG also rules the singles Q1 Top 10 with four entries. The remaining three are “Murder on the Dancefloor” (Polydor) by Sophie Ellis-Bextor at #3; “yes, and?” (Republic) by Grande at #8; and “Cruel Summer” (EMI) by Swift at #10.
Sony and Warner have three singles each in the Top 10. Warner counts the final albums entry with 50 Years — Don’t Stop (Rhino) by Fleetwood Mac at #6.
Official Singles Chart 2024 to End of Q1
- “Stick Season” (Republic), Noah Kahan
- “Lose Control” (Atlantic), Teddy Swims
- “Murder on the Dancefloor” (Polydor), Sophie Ellis-Bextor
- “Beautiful Things” (Warner Records), Benson Boone
- “Lovin On Me” (Atlantic), Jack Harlow
- “Prada” (Ministry of Sound), Casso/Raye/D-Block Europe
- “TEXAS HOLD ‘EM” (Columbia/Parkwood), Beyoncé
- “yes, and?” (Republic), Ariana Grande
- “Greedy” (Ministry of Sound), Tate McRae
- “Cruel Summer” (EMI), Taylor Swift
Official Albums Chart 2024 to End of Q1
- Stick Season (Republic), Noah Kahan
- The Highlights (Republic/XO), The Weeknd
- 1989 (Taylor’s Version) (EMI), Taylor Swift
- Guts (Interscope), Olivia Rodrigo
- Curtain Call: The Hits (Interscope), Eminem
- 50 Years: Don’t Stop (Rhino), Fleetwood Mac
- Diamonds (Mercury/UMR), Elton John
- Gold: Greatest Hits (Polydor), ABBA
- Eternal Sunshine (Republic), Ariana Grande
- Midnights (EMI), Taylor Swift
Dua Lipa’s media and management company, Radical22, has signed a global administration deal with Warner Chappell Music for its publishing arm.
Warner Chappell Music CEO Guy Moot and Lipa’s manager (and father) Dugi Lipa arranged the bespoke agreement. It follows the previously announced news of Lipa acquiring her publishing outright from Tap Publishing.
“It’s been a long road, but I am very happy to finally own my publishing thanks in large part to the dedication of my manager, Dugi’s work over the past two years,” Lipa said. “My music is my life’s work, and it’s important for me to be the person who decides what happens with it. The creation of Radical22 marked an exciting time for me personally and professionally, and I am looking forward to the work my team and I will do and to having a home base for my creative endeavors.”
In addition to Radical22 Publishing, Lipa has added Radical22 Productions to the company’s umbrella along with global style, culture and society editorial platform Service95, all of which are fully owned by the British artist.
Among the first of Radical22’s production projects is the recently announced Disney+ documentary series Camden. Produced by Lightbox in association with Day One Pictures and Radical22, in which Dua and Dugi both serve as executive producers, the series tells the story of how one small corner of North London shaped the lives and careers of many iconic music acts.
Beyoncé is set to claim the #1 slots on the U.K.’s Official Albums and Singles Charts on Friday, with COWBOY CARTER (Columbia/Parkwood) outselling the rest of the Top 5 combined at the halfway point.
Should it hold onto its midweek lead, COWBOY CARTER will become Bey’s fifth solo #1 in the U.K.
Oxford rock band Ride are tracking for a career best with their seventh record, Interplay (Wichita Recordings), set to debut at #2.
Sum 41 could score their highest-charting album in 23 years with their final release, Heaven :x: Hell (Rise Records), at #10 today. The sixth album from While She Sleeps, SELF HELL (Spinefarm), is #18.
BTS member j-hope is eyeing his first solo Top 40 album with HOPE ON THE STREET VOL. 1 (BIGHIT) at #20.
On the U.K.’s Official Singles midweeks, Beyoncé’s “TEXAS HOLD ‘EM” has bounced back two places to #1. Friday would be its fifth non-consecutive week at the top.
Two more tracks from COWBOY CARTER could impact the Top 10: a cover of the Dolly Parton classic, “Jolene,” is #5, while the Miley Cyrus duet “II MOST WANTED” is #8.
The self-released “i like the way you kiss me” by DJ Artemas is set to lift six places to #7, while Irish DJ duo NewEra could fly into the Top 20 with “Birds in the Sky” (Warner Records) at #19.
